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Relictum

by The Ringing Emptiness

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1.
Evening Star 01:36
I saw it from that hidden, silent place Where the old wood half shuts the meadow in. It shone through all the sunset’s glories – thin At first, but with a slowly brightening face. Night came, and that lone beacon, amber-hued, Beat on my sight as never it did of old; The evening star—but grown a thousandfold More haunting in this hush and solitude. It traced strange pictures on the quivering air – Half-memories that had always filled my eyes – Vast towers and gardens; curious seas and skies Of some dim life – I never could tell where. But now I knew that through the cosmic dome Those rays were calling from my far, lost home. "Fungi From Yuggoth"
2.
Mirage 06:34
I do not know if ever it existed – That lost world floating dimly on Time’s stream – And yet I see it often, violet-misted, And shimmering at the back of some vague dream. There were strange towers and curious lapping rivers, Labyrinths of wonder, and low vaults of light, And bough-crossed skies of flame, like that which quivers Wistfully just before a winter’s night. Great moors led off to sedgy shores unpeopled, Where vast birds wheeled, while on a windswept hill There was a village, ancient and white-steepled, With evening chimes for which I listen still. I do not know what land it is – or dare Ask when or why I was, or will be, there. "Fungi From Yuggoth"
3.
Continuity 01:44
There is in certain ancient things a trace Of some dim essence – more than form or weight; A tenuous aether, indeterminate, Yet linked with all the laws of time and space. A faint, veiled sign of continuities That outward eyes can never quite descry; Of locked dimensions harbouring years gone by, And out of reach except for hidden keys. It moves me most when slanting sunbeams glow On old farm buildings set against a hill, And paint with life the shapes which linger still From centuries less a dream than this we know. In that strange light I feel I am not far From the fixt mass whose sides the ages are. "Fungi From Yuggoth"
4.
Over old roofs and past decaying spires The harbour whistles chant all through the night; Throats from strange ports, and beaches far and white, And fabulous oceans, ranged in motley choirs. Each to the other alien and unknown, Yet all, by some obscurely focussed force From brooding gulfs beyond the Zodiac’s course, Fused into one mysterious cosmic drone. Through shadowy dreams they send a marching line Of still more shadowy shapes and hints and views; Echoes from outer voids, and subtle clues To things which they themselves cannot define. And always in that chorus, faintly blent, We catch some notes no earth-ship ever sent. "Fungi From Yuggoth"
5.
The Cats 02:48
Babels of blocks to the high heavens tow’ring, Flames of futility swirling below; Poisonous fungi in brick and stone flow’ring, Lanterns that shudder and death-lights that glow. Black monstrous bridges across oily rivers, Cobwebs of cable by nameless things spun; Catacomb deeps whose dank chaos delivers Streams of live foetor, that rots in the sun. Colour and splendour, disease and decaying, Shrieking and ringing and scrambling insane, Rabbles exotic to stranger-gods praying, Jumbles of odour that stifle the brain. Legions of cats from the alleys nocturnal, Howling and lean in the glare of the moon, Screaming the future with mouthings infernal, Yelling the burden of Pluto’s red rune. Tall tow’rs and pyramids ivy’d and crumbling, Bats that swoop low in the weed-cumber’d streets; Bleak broken bridges o’er rivers whose rumbling Joins with no voice as the thick tide retreats. Belfries that blackly against the moon totter, Caverns whose mouths are by mosses effac’d, And living to answer the wind and the water, Only the lean cats that howl in the waste! 1925
6.
The thing, he said, would come in the night at three From the old churchyard on the hill below; But crouching by an oak fire's wholesome glow, I tried to tell myself it could not be. Surely, I mused, it was pleasantry Devised by one who did not truly know The Elder Sign, bequeathed from long ago, That sets the fumbling forms of darkness free. He had not meant it - no - but still I lit Another lamp as starry Leo climbed Out of the Seekonk, and a steeple chimed Three - and the firelight faded, bit by bit. Then at the door that cautious rattling came - And the mad truth devoured me like a flame! 1929
7.
The Wood 03:51
They cut it down, and where the pitch-black aisles Of forest night had hid eternal things, They scaled the sky with towers and marble piles To make a city for their revellings. White and amazing to the lands around That wondrous wealth of domes and turrets rose; Crystal and ivory, sublimely crowned With pinnacles that bore unmelting snows. And through its halls the pipe and sistrum rang, While wine and riot brought their scarlet stains; Never a voice of elder marvels sang, Nor any eye called up the hills and plains. Thus down the years, till on one purple night A drunken minstrel in his careless verse Spoke the vile words that should not see the light, And stirred the shadows of an ancient curse. Forests may fall, but not the dusk they shield; So on the spot where that proud city stood, The shuddering dawn no single stone revealed, But fled the blackness of a primal wood. 1929
8.
The hours of night unheeded fly, And in the grate the embers fade; Vast shadows one by one pass by In silent daemon cavalcade. But still the magic volume holds The raptur'd eye in realms apart, And fulgent sorcery enfolds The willing mind and eager heart. The lonely room no more is there - For to the sight in pomp appear Temples and cities pois'd in air And blazing glories - sphere on sphere. 1920
9.
The Bells 03:44
10.
Astrophobos 06:27
In the midnight heavens burning Thro’ ethereal deeps afar, Once I watch’d with restless yearning An alluring, aureate star; Ev’ry eye aloft returning, Gleaming nigh the Arctic car. Mystic waves of beauty blended With the gorgeous golden rays; Phantasies of bliss descended In a myrrh’d Elysian haze; And in lyre-born chords extended Harmonies of Lydian lays. There (thought I) lies scenes of pleasure, Where the free and blessed dwell, And each moment bears a treasure Freighted with a lotus-spell, And there floats a liquid measure From the lute of Israfel. There (I told myself) were shining Worlds of happiness unknown, Peace and Innocence entwining By the Crowned Virtue’s throne; Men of light, their thoughts refining Purer, fairer, than our own. Thus I mus’d, when o’er the vision Crept a red delirious change; Hope dissolving to derision, Beauty to distortion strange; Hymnic chords in weird collision, Spectral sights in endless range. Crimson burn’d the star of sadness As behind the beams I peer’d; All was woe that seem’d but gladness Ere my gaze with truth was sear’d; Cacodaemons, mir’d with madness, Thro’ the fever’d flick’ring leer’d. Now I know the fiendish fable That the golden glitter bore; Now I shun the spangled sable That I watch’d and lov’d before; But the horror, set and stable, Haunts my soul for evermore. 1918
11.
Polaris 01:44
Slumber, watcher, till the spheres, Six and twenty thousand years Have revolv'd, and I return To the spot where now I burn. Other stars anon shall rise To the axis of the skies; Stars that soothe and stars that bless With a sweet forgetfulness: Only when my round is o'er Shall the past disturb thy door. – from "Polaris", 1918

about

The Ringing Emptiness — Relictum (2020, MNMN)

Наш новый LP "Relictum" в узком смысле посвящён поэзии мастера ужасов Лавкрафта, а в широком — всем тем неизведанным, масштабным, удивительным явлениям, что скрывают в себе океанические пучины. Непроста именно таинственные глубины океана стали одним из важнейших источников вдохновения для американского гения. Сложно сказать, что вдохновляло его сильнее — мечты о далёких звездах и загадках космоса или же красота и мощь морских пейзажей.

Есть популярная точка зрения, согласно которой наша Солнечная система изучена даже лучше, чем Мировой океан. И действительно, на дне Марианской впадины за всё время смогли побывать лишь 3 человека, а те странные твари, что обитают в океанической бездне, зачастую имеют поразительную историю. К примеру, лопастепёрая рыба латимерия — живое ископаемое, сохранившиеся до наших дней. До середины прошлого века считалось, что все они вымерли 65 млн. лет назад. Неизвестно, что ещё обнаружат в Мировом океане, если будут его лучше исследовать, но однозначно можно утверждать, что простор для данных исследований огромен.

Жанровая принадлежность релиза варьируется в достаточно условных постиндустриальных границах. Помимо привычных нам экспериментов с электронным звуком, на альбоме присутствуют элементы метала и различные инструментальные проигрыши, включая скрипку, рояль и тубу. В целом музыкальное полотно воспринимается отчасти как своеобразный саундтрек. Главной задачей для нас было преобразовать абстракцию в нечто более понятное, композиционно логичное, музыкальное, не отказываясь при этом от особенной мрачной атмосферы наших предыдущих работ. Благо наш новый материал содержит в себе некоторые детали из старых LP.

credits

released January 27, 2020

Music by The Ringing Emptiness (главным образом — Владимир Стенькин).
Poetry by Howard Phillips Lovecraft.
Artwork by Сергей Зорин.
Design by Василий Несин.
Антон Косминский — голос в треках "Continuity", "The Book Of Wonder", "Astrophobos".
Михаил Великанов — туба в треке "Harbour Whistles".

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The Ringing Emptiness Russia

The Ringing Emptiness is a russian experimental band founded in 2015. Since then the band has released some LPs. The sound of the band has a great variety of aspects — from cinematic and meditative ambient landscapes to disturbing psychedelic noise and post-metal. ... more

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